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No Weeping Melts the Armor

from Wild and Bitter Fruits by Quiet Sonia

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about

No Weeping Melts the Armor is a long crazy epic rock composition with aggressive nerve, intensity and underplayed pop-sensibility. The lyrics are a sort of postmodern collage semi-cut-up protest song. Talk about pulling teeth. In the original version, the track was 3:30. Suddenly, after a year and a half, it was over 16 minutes. A true wild and bitter fruit. It’s an euphoric, energetic and melodic indie-pop / rock track with references to Magnetic Fields, Bruce Springsten ‘Born To Run’-era, Arthur Russell, Aphex Twin, My Bloody Valentine. The tone had to be positive with an aura of hope and longing. The compositional and aesthetic experiment was more is more and working with an almost linear form: Pushing it longer and longer, and then a little bit longer. I’m not sure it worked out completely, but at least (I hope), it’s fresh, it’s different.

lyrics

As long as the pulse of life beats in you

That striped sunlight sound
As the bullets thud into flesh
Visible to the world, no secrets, way it is
For God almighty, get the corpses out of sight

Talk of strength, health and beauty
Arrange these little symphonies for the kids
Today all I see - shoppers and surfers
Where’s edge and the fucking dreams, I’d say?

Pure action
On the edge of a catastrophe
No weeping melts the armor
A single tortuous line

Suffocation, heat, ecstasy and pain
Shaking hands with the funeral director
Flares from fireworks, a dying cigarette
Silk and cocaine

Fuzzy flowers, dead rubber tires
Rats, cats and crack homes, tech-fixes, self-hacks
Watch the clock go tick tock tick tock
The voice of suffering nature

Pure action
On the edge of a catastrophe
No weeping melts the armor
A single tortuous line

Aware of everything, committed to nothing
Like the heartbeat of a stone
Call for music’s revenge on an unmusical world

Why would you strip the naked?
Everything we held sacred, stolen our spirits
Buried them under earth …
As we grow old in youth

Now salvage your last scraps of dignity
Show some guts, soul and presence
'Cause I’ve seen the last of the human cities
And tears welled up in my eyes

Ecstasy like a thirsty dog
Shattered bodies piercing together
Some silent sadness
Explosions, whistles, whispers, creaks
As long as the pulse of life beats in you

No weeping melts the armor
On the edge of a catastrophe

Pure action
On the edge of a catastrophe
No weeping melts the armor
A single tortuous line

I’ve seen the last of the human cities
Tears welled up in my eyes

credits

from Wild and Bitter Fruits, released June 10, 2022
Nikolaj Bruus: Acoustic guitar, lead vocals, backing vocals, electric guitar, bass, drums, percussion, synths (Korg MS 20, Juno 60), organ
Frida Rolskov Pedersen: Piano, vocals
Thea Thorborg Pedersen: Violin

Recording Engineer: Nikolaj Bruus
Mix/Mix-Bus Processing: Nikolaj Bruus
Mastering: David Elberling
Single Art: Nikolaj Bruus

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Quiet Sonia Copenhagen, Denmark

Quiet Sonia is a Copenhagen-based experimental chamber rock/folk septet. Fronted by Nikolaj Bruus’ compositions on acoustic guitar, rich baritone-voice and evocative abstract lyrics, Quiet Sonia plays big, sprawling yet intimate and highly dynamic emotional rock music with longer narrative-like structures, improvisational elements and intricate detailled arrangements. ... more

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