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All Black Horses Came Thundering

by Quiet Sonia

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1.
2.
Fragments 08:32
you know, i just had the feeling that we’re wasting our saturday you bring the whisky i’ve got the beers now come to my place you just saw your ex-girl with a new guy affront your window at the hill has she forgotten where i live? now it’s gonna rain for three days man, it’s wild he just jumped on the train don’t wanna let him down now — gonna have a good time just write to say i’m sorry ‘bout the other night for a while there it just seemed i couldn’t look myself into the eyes you always wondered whether she was sensitive, stupid or a sadist? god, they held each others hands god, i see her all around sitting in the grass sitting in the sun missing your company has it been so long you said, the only thing we do whole-heartedly is to get drunk i said: “the games you can’t face in daylight you won’t win when the lights are out” do you also feel ashamed feel the guilt the fear of wasting time time time but who’s there to punish you for your missteps? i feel sick tired, weak don’t know if it’s real or i’m just imagining it
3.
Blackout as April under the stream of stars. Butterflies at construction sites. Crawl, sister. Mother, I can barely see. Faceless when it rains. Shatter window panes. For heaven’s sake. Look out where yr going. You’re broke and very brave and I believe in you. Just a few more days. While we wait for a miracle. Now everything’s supposed to be quiet. And in my arms, many flowers.

about

In stark contrast to the solo-oriented, densely constructed and detail-focused ‘Wild and Bitter Fruits’, ‘All Black Horses Came Thundering’ is recorded live and consists solely of first takes: In an attempt to capture the living breath of musicians interacting together in the moment, giving space to musical fragility, interpretative freedom and all the so-called ‘mistakes’ that follows. The compositions are written by Nikolaj Bruus on acoustic guitar, and then re-worked, re-arranged and accompanied with the help of the ‘chamber-version’ of Quiet Sonia, consisting of violin, double bass, grand piano, organ and vocals. In many ways, ABHCT is an exercise in minimalism: To allow each tone a certain weight and meaning, to leave room for thought and interpretation, to open up a less interruptive musical space for existence. An attempt to capture something warm and organic while giving space to the unfinished, the fleeting, the fragile. Among QS’ inspirations for this project is Talk Talk’s late albums, ECM jazz albums, different kinds of ambient and American Primitivism figures such as Robbie Basho and James Blackshaw.

credits

released November 7, 2022

Nikolaj Bruus: Acoustic Steel String Guitar, Lead Vocal
Thea Thorborg Pedersen: Violin
Rasmus Jon Lundager: Organ
Frida Rolskov Pedersen: Grand Piano, Backing Vocals
Phillip Dyssegaard: Upright Bass

Engineer: Kristian Alexander Pedersen
Mastering: David Elberling
Mix: Nikolaj Bruus
Album Artwork: Nikolaj Bruus
Album Design: Pink Cotton Candy Records

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Quiet Sonia Copenhagen, Denmark

Quiet Sonia is a Copenhagen-based experimental chamber rock/folk septet. Fronted by Nikolaj Bruus’ compositions on acoustic guitar, rich baritone-voice and evocative abstract lyrics, Quiet Sonia plays big, sprawling yet intimate and highly dynamic emotional rock music with longer narrative-like structures, improvisational elements and intricate detailled arrangements. ... more

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